Dramatari arja at radio republik indonesia (rri) denpasar, bali, Indonesia
International Journal of Development Research
Dramatari arja at radio republik indonesia (rri) denpasar, bali, Indonesia
Received 14th November, 2017; Received in revised form 11th December, 2017; Accepted 23rd January, 2018; Published online 28th February, 2018
Copyright © 2018, I Made Suarta. This is an open access article distributed under the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
Dramatariarja dance is one of classic drama tari or traditional theatrical dance that is favored by Balinese in Indonesia. Dramatari arjais known to Balinese as arja. This research aims to describe and analyze the script discourse that is read by the drama characters on the stage. Two plays were chosen as the main subjects of the research, namely, Payuk Prungpung and Rareangon. The result of this research exhibits that significances given to character discourse of Payuk Prungpung and Rareangon are based on semiotic theory proposed by Ferdinand de Saussure. Discourse significances that were uncovered are as follows: religious significance, magic or mythic significance, and traditional significance which currently undergo decline in quantity due to globalization effect. In order not to be left behind by the public audience, the casts and arja notable figures should seek a solution as a form of innovation.