The brothers, by milton hatoum: the anchorage scenes in maria camargo's script

After some comments on the beginning of the novel Dois irmãos (2000), by Milton Hatoum, and on the homonymous series (2017), by Luiz Fernando Carvalho, this article focuses on the script Dois irmãos – Roteiro da série (2017), by Maria Camargo. Even though scripts are rarely published, read, or interpreted, Bráulio Mantovani suggests the opposite when he refers to Camargo's script as: “A colossal and memorable adaptation work that must be read and / or studied”, and he is unquestionably right. Our analysis of the script, in this article, explores two topics: first, we consider issues related to the script itself as a published work and relate editorial concerns to the concepts of assisting and qualified media by Lars Elleström; and second, we turn our attention to two sequences from Episode 1 of the script, in which the temporal and affective anchoring, notions theoretically conceived by Roland Barthes, confer a sensitive rhythm to Milton Hatoum's fragmented narrative and prepares the text for the process of transmediation (Elleström).