The Harmony and Arrangement of the “Soyol Erdene” Song
International Journal of Development Research
The Harmony and Arrangement of the “Soyol Erdene” Song
Received 27th August, 2024; Received in revised form 19th September, 2024; Accepted 08th October, 2024; Published online 30th November, 2024
Copyright©2024, Naranchimeg. This is an open access article distributed under the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
If we compare the song “Soyol Erdene” being sung by Dorjdagva to it being sung by vocalists during the current period, it will allow us to research and compare whether positive comprehension (thinking) traditions, innovations, differences and growth can be observed or allow us to question whether such aspects can be seen declining. Thus, this comparative element can become an important research indicator and measuring point. It can be stated that the fate of the long and folk songs of the 20th century was placed on the back of Dorjdagva. This created the conditions and reasoning behind the composition and creation of the 1930s song “SoyolErdene”. Within Navaan-Yunden’s poem, even though Dorjdagva did not know the notes (keys), he hummed and sang it out which Pechnikova transcribed into notes (sheet music).